Read Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s by Kimberley Monteyne Online
Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and u. Hip Hop on Film reclaims and reexamines produ
| Title | : | Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s |
| Author | : | |
| Rating | : | 4.51 (521 Votes) |
| Id Book | : | 1496802624 |
| Format Type | : | Paperback |
| Number of Pages | : | 277 Pages |
| Publish Date | : | 2015-01-21 |
| Type File | : | PDF, DOC, RTF, ePub |
Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin’ (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood’s fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn’s Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and u
Kimberley Monteyne, Vancouver, British Columbia, Canada, is currently teaching at the University of British Columbia and has also taught at New York University and the Chelsea College of Art (UK). Her work has appeared in Youth Culture in Global Cinema.
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Lettie Lang is the Black housekeeper who is the heir to this (potential) windfall. Like his first three books (which I highly recommend BTW), the writing is fluid, fast paced and full of emotions. The father of the family he affects comes to speak
Lettie Lang is the Black housekeeper who is the heir to this (potential) windfall. Like his first three books (which I highly recommend BTW), the writing is fluid, fast paced and full of emotions. The father of the family he affects comes to speak
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