Read The Clydesdale Motor Truck Company: An Illustrated History, 1917-1939 by Tiffany Willey Middleton Online
The Clydesdale Motor Truck Company: An Illustrated History, 1917-1939 The story of the Clydesdale company provides a window into early truck manufacturing and the international trucking landscape, just as the modern industry we recognize today was beginning to develop.
Title | : | The Clydesdale Motor Truck Company: An Illustrated History, 1917-1939 |
Author | : | |
Rating | : | 4.65 (341 Votes) |
Id Book | : | 0786475870 |
Format Type | : | Paperback |
Number of Pages | : | 277 Pages |
Publish Date | : | 2013-12-31 |
Type File | : | PDF, DOC, RTF, ePub |
The Clydesdale Motor Truck Company existed in Clyde, Ohio, from 1917 until 1939. As veterans of the early auto industry, Clydesdale engineers worked closely with the London General Omnibus Company to develop what they described as the "perfect" truck chassis. Shipped from Clyde, Ohio, Clydesdale trucks became internationally famous during World War I. The truck's patented "Driver Under the Hood" engine governor wowed drivers and industry leaders alike. Following the war, Clydesdale took center stage at national motor truck shows and motor truck tours, and later, pioneered diesel technology. The story of the Clydesdale company provides a window into early truck manufacturing and the international trucking landscape, just as the modern industry we recognize today was beginning to develop.
Tiffany Willey Middleton is a Clyde, Ohio, native and historian. She works for the American Bar Association and lives in Chicago, Illinois. James M. Semon is retired from American Greetings and Henkel Consumer Adhesives. He is a transportation enthusiast and author of several railroad books. He lives in Westlake, Ohio.
These two chapters alone are worth buying the book.
The old chapter 6 is now the ninth chapter "Voltage regulation and power conversion". Moreover, the narrative's movement matches the river's: it creates unexpected channels, moving forward in time, then backward, a device that enables the narrative to provide a perspective on the past as something familiar, as a place we already know and treasure, a "spot of time" we've been missing and to which we wish to return.
But the melodrama also works here because Ferber constantly blurs the line between theater and life, letting us in on the "backstage" action that goes into playing a role and preparing a face. A classic for good reason!
--Reviewed by Nina M. The book's second half, which deals with Magnolia and Gaylord and their daughter after they leave the Cotton Blossom, is just as rich; but it is a bittersweet richness. Ferber's last sentence describing Magnolia is a replication of an earlier sentence des
The old chapter 6 is now the ninth chapter "Voltage regulation and power conversion". Moreover, the narrative's movement matches the river's: it creates unexpected channels, moving forward in time, then backward, a device that enables the narrative to provide a perspective on the past as something familiar, as a place we already know and treasure, a "spot of time" we've been missing and to which we wish to return.
But the melodrama also works here because Ferber constantly blurs the line between theater and life, letting us in on the "backstage" action that goes into playing a role and preparing a face. A classic for good reason!
--Reviewed by Nina M. The book's second half, which deals with Magnolia and Gaylord and their daughter after they leave the Cotton Blossom, is just as rich; but it is a bittersweet richness. Ferber's last sentence describing Magnolia is a replication of an earlier sentence des
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